The Nightmare Before Christmas is a visual splendor. Done on the cheap, this could have been a gimmicky, unsatisfying experience, but, as the result of considerable time and effort, it is an unqualified success. All of the figures move smoothly and naturally, and the attention to detail is exquisite. We are given a group of cleverly-fashioned characters that look like refugees from Edward Gorey's sketchbook.
The film is designed for all but the youngest children, some of whom might be frightened by the bizarre inhabitants of Halloween Town. On its surface, the story is relatively straightforward, enabling younger viewers to enjoy the movie without becoming lost or bored. However, the film works on a second level, as well. The most deft humor is aimed at adults. Even those who aren't taken in by the charming tale or likable characters will be enthralled by the world Tim Burton and director Henry Selick have created. It is, quite frankly, an amazing achievement.
The Nightmare Before Christmas is How the Grinch Stole Christmas thrown into reverse (although clearly the Dr. Seuss tale had a part in formulating some of the images of Christmas Town). While the Grinch made Christmas better by trying to destroy it, Jack Skellington ruins the holiday by trying to improve it. But don't worry -- everything turns out all right in the end. After all, this is a family film.
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